Mills’s films might be called fragmentary if not for their unifying spirit of psychological inquiry.
Fans of a cult show like It’s Always Sunny in Philadelphia deserve more robust extras than what’s offered here.
It took Don Mancini 10 years to bring the Chucky franchise to its current homo glory, but the original Child’s Play is pretty gay.
The slick gospel of Cool Hand Luke is delivered with star sheen and ensemble luster in this middling package.
Taken together, these two films are like Marker’s epistemology of fiction vs. nonfiction.
Chris Marker has nine brains.
Not particularly horror and not particularly classics, these overlooked films still warrant a look for the dedicated movie buff.
Yet another reminder that the Academy’s Foreign Language branch doesn’t know shit.
Baby Mama confirms that if Tina Fey is in something she didn’t write herself, it just ain’t funny.
For its reissue, Criterion has ironed out a bunch of the kinks, though I still detect some edge enhancement in the film’s endless series of long shots.
Leave it to Disney to bring a film back to life over and over again just to make a buck.
What should have been a gripping and informative documentary experience is made unwatchable with crappy stop-motion animation.
Redbelt may or may not be Mamet’s best feature, but it is most definitely his least sycophantically written.
I trust Linda Lovelace for President more than I trust at least 50 percent of the voters in the U.S.
An epic film deserves an epic DVD treatment, and Nixon gets one.
Twenty-Four Eyes, a hundred lumps in the throat. Beware of choking.
Among the most morally bankrupt films of the decade-a true crime of American cinema.
This one was made for the fans, and they’ll delight in the latest surreal battle against the Tall Man.
The film should rise from overlooked status with this devotedly attentive release.
This beautifully compelling story of compassion and love cannot be separated from the time the film was made.
If it’s only as politically savvy as a college term paper, it’s also as gritty as an old-school western.