The film tells a tale rife with implications about abortion and the consequences of modern medical technological progress.
The film is unable to deliver the single novel concept or unexpected surprise that might justify its existence.
What would you do if a million Euro fell into your lap?
The Weather Man disingenuously conveys the fickleness of day-to-day existence via a monsoon of profane, contrived moroseness.
It’s been a banner year for Tim Burton. Pity it’s also the year he made the two most unimaginative films of his career.
A poised tiger navigating an urban jungle, Delon’s samouraï is the epitome of noir cool.
Jean-Pierre Melville’s film achieves an atmosphere of otherworldly beauty and grace.
The film is a silly, self-reflexive lark oozing spitfire sarcasm and nonchalant cool.
Throughout, a convincingly distraught Felicity Huffman largely refuses to succumb to the film’s facileness.
The predictably heavy metal-scored film’s primary directive is to recreate the mindless mayhem of its joystick-controlled roots.
Anand Tucker’s film assumes a romantic aesthetic best described as “tasteful sterility.”
Sans John Carpenter’s gorgeous widescreen cinematography or eerily unhurried pacing, it proves successful only at blowing.
It’s easy to imagine a better Herbie: Fully Loaded had Grace Jones’s “Sex Drive” blared during the film’s racing sequences.
This metaphorical gothic fable about female maturation is pregnant with birth, menstruation, and orgasmic symbolism.
Orlando Bloom and the Brothers Scott have this week’s film and DVD market cornered.
It’s French, it’s sexy, and Johnny Deep makes a cameo. Your female roommate will love it.
The film’s positive portrait of teenage femininity is honest and mature.
The image on this disc is serviceable but the audio delivers the goods.
After Innocence doesn’t inspire much confidence in the American legal system.
Self-awareness and acknowledgement of odious behavior doesn’t automatically grant one a license to indulge in said conduct.