In the realm of the show, a man’s worth isn’t determined by how much money he has, but how skilled he is at acquiring more of it.
The series may have switched venues, but not much has changed about It’s Always Sunny in Philadelphia in its ninth season.
Crocodiles’s Crimes of Passion is the high-spirited sound of a band maturing.
There are plenty of crazy firearms, like the appropriately titled Dubstep Gun, but they basically feel like an afterthought. The frenzied, souped-up president aspect renders everything else comparatively dull.
Despite its lofty aspirations, White Lies’ Big TV is largely formulaic.
It too often lingers on Detroit’s colorless evil more than its spirited righteousness, resulting in an overwhelmingly bleak narrative.
Breaking Bad has always been adept at handling its big reveals, or lack thereof, and the second half of its final season is no exception.
The most protrusive sin committed by Dragon’s Crown has nothing to do with the size of its sirens’ breasts, but rather an unfortunate economical decision made by the publisher.
Everything is aglow with a unique visual sheen that dutifully demonstrates the graphical capabilities of the Wii U’s hardware.
Not only is the game an unsightly, tedious, and mind-numbingly dimwitted distraction, it’s also completely unnecessary—a nearly bottomless descent into uncompromising mediocrity.
The biggest problem with Dynasty Warriors 8, and the series as a whole, is that it loses its value as quickly as Koei publishes another sequel.
Luigi in the hero role may still take some getting used to, but in the case of New Super Luigi U, the irritations are well worth the rewards.
The game deserves praise for its efficient blend of stylish anime-inspired artwork and handsome third-person exploration.
Camp can be likened to an overenthusiastic adolescent who signs up for too many extracurricular summer activities and fails at all of them.
Muramasa Rebirth can stand alongside Gravity Rush and Guacamelee! as one of the best-looking games the system has to offer
It’s a credit to the strength of the iconic stature of the characters that seeing their bafflingly scripted journey to its end becomes an unavoidable errand.
It blends the vibes of a cool, fast-paced crime caper with those of an emotionally wrought family drama to generally gratifying results.
It’s telling that much of Game & Wario was initially conceived as a customary demonstrative package of some of the Wii U’s snazziest features.
It will stay encapsulated in the memory banks of allegiant viewers, frozen in time for a thousand years like a certain clumsy pizza delivery boy.
The show too often disrupts its curiously resonant psychoanalysis with foolhardiness and vulgarity.