The film is a hokily melodramatic rise-fall-redemption story with a mostly unearned patina of greater significance.
The latest episode of Silicon Valley skewers the industry’s social mores and morals with precision.
The film’s visceral pleasures often work at cross purposes with the cerebral message of the manifestos.
The season finale of The Walking Dead functioned mainly as a prolonged teaser for the battle to come.
The episode is at its most artful when sound accentuates the way the storylines have been braided together.
There’s plenty of life in this honest, impressionistic portrait of a cohort of 21st-century American girls.
The actor talks about the best and worst parts of being on a TV show like Girls.
In tonight’s episode of The Walking Dead, both Sasha and Rosita’s quiet heroism comes into sharper focus.
Person to Person is a vehicle for an exploration of New York City and a handful of its interesting inhabitants.
Alessandro Comodin’s film is a mélange of gorgeous tiles that never quite comes together as a mosaic.
A couple’s journey gone horribly awry becomes an allegory about the violent misogyny that plagues India.
The episode snaps the show back to its default position with much talk-as-lecture and oppressive foreshadowing.
Maslany and Cullen discuss the pros and cons of playing a love story with your real-life partner.
A lot happens in “Say Yes,” almost all of it compelling.
Patricia Dombrowski’s struggles and triumphs are detailed with a gravity that honors and elucidates her feelings.
The episode takes a break from the hatchet-faced military strategizing and obligatory slicing and dicing.
The main strength of the episode, like that of The Walking Dead as a whole, is its visuals.
The sly head-fake that opens The Walking Dead‘s latest episode throws us effectively off balance.
In its sixth and final season, HBO’s Girls shifts from blindered self-sabotage to dawning self-awareness.
Nearly everything in Taylor Hackford’s tin-eared comedy is as ersatz as the Robert De Niro character’s rage is real.