The film believes a personal reformulation of personality and disposition can be obtained by determination alone.
Kate Novack’s documentary is an act of template filmmaking, designed for maximum accessibility.
A central work of the New German Cinema movement finally finds its weary way onto Blu-ray courtesy of the Criterion Collection.
The Blu-ray is as attentive to image and audio detail as the filmmaking is observant about the intersection between art and everyday life.
In terms more familiar to the Olympiad, let’s call this set the Criterion Collection’s record time.
This marks a necessary first step in releasing more of the great Mexican director’s films on Blu-ray.
Blue Underground brings the film to Blu-ray with a 2K scan that gives it more image detail than ever before on home video.
The film curiously steers toward surmising Hedy Lamarr’s psychological state as it pertained to love and pleasure.
This gem receives a stellar Blu-ray treatment, with a trainload of extras to satisfy devotees and newcomers alike.
Vestron Video’s Blu-ray contains a worthy HD image, remastered monaural soundtrack, and an explosive assortment of extras.
A ghost story as much about the vanity inherent to international stardom as it is coming to terms with grief and death.
A family-friendly (and still chilling) endeavor from a horror icon gets a respectable Blu-ray transfer from Doppelgänger Releasing.
Writer-director Attila Till is content to indulge a complication-free mix of bloodshed and pathos.
Criterion presents a contemporary treasure on Blu-ray that’s likely to endure with future audiences as a staple of European cult cinema.
Serra’s meticulous attention to ambient sound and the bodily noises of impending death are excellently conveyed on this release.
This is a stellar Blu-ray printing of what’s arguably Lina Wertmüller’s most internationally acclaimed film.
Perhaps the defining performance of Isabelle Huppert’s career is now on vibrant display in this Criterion Blu-ray.
It fulfills the vague sense of its aspirational title as a film led only by the guidance of its maker’s skeptical positivity.
Alain Gomis never reconciles throughout how the film’s disparate parts are meant to fit together.
Throughout, the film develops into something approaching a manifesto for the possibility of shared happiness.