Every inch of Super Mario Bros. Wonder is bursting with personality.
The game teaches us that some stories can only be fully told or understood in hindsight.
Mirage ought to have been more than the dim illusion of where the series has already traveled.
Here, the silliness of being a F.A.R.T. is predicated on enjoyable, rock-solid gameplay.
The faster it moves, the better it plays.
Disney Illusion Island has enough magic to make you wish there was more of it.
As the adage goes, a picture is worth a thousand words.
Dr. Fetus’ Mean Meat Machine is more than a puzzle-branded reskin of Super Meat Boy.
The choices you make attest to the belief that logic and empathy aren’t mutually exclusive.
Killer Frequency is a delightfully gimmicky game with an outrageous horror-comedy premise.
The game isn’t the action-oriented experience that TRON fans may be expecting.
The only place where the protagonists, and by extension the game, stand out is in combat.
It’s at such a remove from anything human that we see no consequences to your actions.
In the end, Have a Nice Death can’t escape its own premise.
Octopath Traveler II is a great game to get lost in eight times over.
No matter the game’s faults, the music sings for itself.
Good luck finding redeeming value in Wanted: Dead.
Emptiness resonates troublingly at the heart of Casus Ludi’s hand-drawn co-op adventure game.
SEASON is a poetic, meditative game, but it often bluntly calls attention to its intentions.
A Space for the Unbound triumphs in capturing what’s between the lines of its central story.