The film is a maddeningly underwritten thriller/domestic-drama hybrid.
The two life choices that Bergman entertains are frightening.
The film attests to Bellocchio’s technical mastery and formidable empathy.
The film is a lugubrious, elongated study of forced prostitution and political lechery.
You would think with this title that Kevin Smith is going all political on the tea partiers and the far right in general.
Miss Lovely envisions a world in which Hollywood glamour has been passed through a filter of grime and decay.
The Nun is a timeless story about a girl who’s sent against her will to a convent as a tenuous, quick fix to her precarious place in life.
Films about the not-so-great outdoors pervade this year’s festival.
Lotsa stuff, including our ideas of history, blowed up real good.
It’s nothing but amusement in the Poster Lab today, folks.
The genius of Richard Pryor can be summed up by the last lines in Live on the Sunset Strip.
Starting tomorrow, we will predict the winners in all four general field categories of the 55th Annual Grammy Awards.
Dammit, I’m not crying, I just got a Teamster sandwich in my eye.
Trance looks like Danny Boyle’s first film since Sunshine that won’t become awards bait.
Don Jon’s Addiction is a film whose underlying themes are reminiscent of the more dramatic Shame.
Given the amount of the public information available about Steve Jobs, the film feels like a lazy exploration into his life.
If there’s anything to deride about Jodie Foster’s show-stopping moment, it’s that it felt dated, dusty, even quaint.>
Vivid, striking, and methodical in its approach, Upstream Color’s visual aesthetic is both provocative and beautiful.
Lovelace seems unwilling or unable to go to deeper and darker places.
The Themersons have been compared to artists László Moholy-Nagy and Man Ray.