As indicated by its title, the film is super-sensitive to class divisions.
The real world, or at least the attempt to transmit some finite aspect of it, has been the aim of many a film.
These are two very different films about the avenues through which individuals feel fulfilled, or alienated, by those they consider close comrades.
Everybody’s Got Somebody…Not Me film gingerly navigates its display of sexuality.
Ungerer narrates the story of his tumultuous life with a mixture of hard-earned wisdom and youthful impetuosity.
Check out which films feel shy of making our list of the greatest films of the 1990s.
Ihe pre-credit sequence lends insight into how the episode amounts to a particularly poignant, if also problematic, entry in the show’s run.
The film is as much a nail-biting thriller as an experiment in narrative dualism.
Was this always such a loveless family?
Season three of Louie continued to tread some fantastic dimension where a half-hour television comedy is about real discovery.
The selection of films at this year’s Santa Fe Independent Film Festival was arguably as piquant as any of the local chile-centric food.
In a Glass Cage is a perverse riff on ostensibly endless cycles of sexual and psychological abuse.
The writers’ decision to limit this episode to Andrea and the Governor heightens the contrast between the two divergent plots.
Understanding Screenwriting #101: Celeste & Jesse Forever, Raiders of the Lost Ark, & More
Ah, yes, the pop quiz.
This week’s episode pivots forward into more fruitful dramatic terrain than last week’s season premiere.
Serbia has one of the most extraordinary recent histories of any European nation.
That Flight happily dwells within conventional boundaries can be frustrating given the raw and affecting potential of the material.
It suggests that the writing team has listened to everyone’s gripes about season two’s frequent and labored pontificating.
Satchmo at the Waldorf becomes the story of Louis Armstrong’s life as he probably would have liked it to be told interpersonally
Chilean filmmaker Pablo Larraín gives us another take on his country’s dark dance with military dictatorship in No.