More than anything, Alberi is about the essential significance of nature.
Fernando Lavanderos’s Things the Way They Are is a riveting character study, at once sexy and detached.
You couldn’t help but wonder if this year’s Ebertfest was going to be the last.
Neil Cross’s second episode of the season, “Hide” is a nicely spooky haunted-house story.
The film is a serviceable, if unremarkable, tale of doomed, cross-class love and criminal activity.
Emma Roberts takes on the difficult task of convincing an audience to root for an obnoxious, self-obsessed aspiring poet.
Do you think film studios are playing it too safe? Are you changing the way you get your film fix?
Even the historical events in Mad Men are part of its empty surrealism.
It’s really all about those lenses, through which you’re left dying to peer.
A straightforward adrenalin rush of an episode with the Doctor and Clara trapped on a sinking Soviet nuclear submarine in 1983.
I was so excited to see the film as a kid that I nearly vomited after getting my ticket punched.
It ain’t the nostalgia the repeat offenders at Concept Arts were going for.
I grew up in the Chicago suburbs in the 1990s and early 2000s, and Ebert was in our house on Fridays, Saturdays, and Sundays
For me, Ebert always seemed to be there when I needed him.
The story of the Doctor’s new companion, Clara, is following a very similar trajectory as those of two of his previous fellow travelers.
The peril of prescription drug use is only one red herring that Scott Z. Burns throws out.
Monstrosity, terror, and horror all correspond in some way to chaos in its old-fashioned sense and with chaos in its scientific sense.
With “The Bells of Saint John,” the second half of Doctor Who’s seventh season follows smoothly from last year’s Christmas special.
If you’ve followed the Up documentary series, you know that it catches up with a cross-section of Britishers every seven years.
It’s generally agreed that films fall into one of three categories: The Good, The Bad, and the So-Bad-It’s-Good.