The question of who’s got your back is at the heart of this week’s episode of Drag Race.
This morning, the lineup for the 71st Cannes Film Festival was revealed.
The Vixen’s refusal to be quiet dovetails off Mayhem’s own ill-advised choice to take one for her team.
The episode’s lip-sync extravaganza eventually turns into a referendum on Eureka’s battle with self-defeat.
The season premiere of RuPaul’s Drag Race spends most of its time going back to its roots.
Khalik Allah’s Black Mother is an aesthetic experience that’s at once raw, exalted, and singular.
The film isn’t just a social and political landmark, but a technical and aesthetic one as well.
An era of the series has ended, but as always, Doctor Who continues moving right along.
On December 6, elites and journalists assembled at the Souk Madinat for the opening night of the festival.
The episode indulges whole-heartedly in fiasco, and much to the detriment of Larry and everyone in his inner circle.
The sharing or withholding of information is about control, a theme that’s at the core of the episode.
The episode makes a great argument for Larry’s heretofore observed lifestyle: tip generously and stay unbothered.
Matthew Porterfield’s Sollers Point conveys the limitations of freedom within towns like the one at its center.
The sight of a murderous, misogynistic troll brought down by the women he abused offers unabashed pleasure.
Larry’s crude, typically unthinking behavior is often unwarranted and spares no one.
The episode manages to get back to the inspired lunacy of the season’s first few installments.
If Larry is constantly fluctuating between abhorrent and rational, the episode tilts to his favor.
The episode is at its most effective when charting the gut-wrenching effect of Kai’s madness.
Larry doesn’t mind offending people, so long as their expressions don’t indicate disgust.
Unwitting transformation is on display throughout the season finale of The Deuce.