In the fourth episode of its third season, Battlestar Galactica goes all-out war movie.
“The Girl in the Fireplace” may be the crowning achievement of Doctor Who’s second season.
The film has a lot to say about the destructive forces wrought upon mankind and nature by people who choose to impose their lunatic visions upon us.
Now in the third episode of the new season, Lost appears to be hitting its stride.
The stink of Crash hovers over Flags of Our Fathers.
Robert Aldrich’s Kiss Me Deadly ups Spillane’s ante and calls his bluff.
The sitcom really is in as much trouble as it seems to be.
Those who grasp the personal consequences of the election play the angles with greater care.
After its nauseatingly tense premiere, the show ratcheted back the drama in the second episode of its third season.
If ever there was any debate about the new series of Doctor Who being an extension of the classic series, tonight’s installment, “School Reunion,” puts an end to it.
Infamous takes a more complex approach to exploring Truman Capote’s disintegration than Bennett Miller’s Capote.
Don’t be surprised if it turns out Sun is pregnant with Hurley’s love child.
The film is a fitting tribute to one of the century’s most public-spirited and large-hearted intellectuals.
Allying with rivals to thwart a third party is the cold calculus of the city’s politicians as well.
If there’s a shot that Battlestar Galactica deploys more skillfully than any other, it’s the close-up.
One of the great conceits of tonight’s Doctor Who episode “Tooth and Claw” is the Doctor’s attempt to take Rose to see Ian Dury and the Blockheads in 1979.
And I thought they got rid of that damn hatch.
The Other Within: David Eick, Mary McDonnell, and James Callis on Battlestar Galactica, Season Three
While the show’s dark tone risked alienating casual viewers, the time-leap the series took in its second season finale divided fans.
James Whale was a master of the kinds of effects that exist on screen in a durable and solid form.
Friday Night Lights is the most honest portrayal of contemporary small town life in the small screen’s history.