Sam Mendes is a magnet for player haters.
“Greatest Hits” is the closest Lost has come to a perfect episode since its pilot.
Don’t expect 2001: The Next Generation
Gilmore Girls had its flaws, but it was mostly a vision of what we might like America to be.
The Sopranos is set in a universe where good and evil have renamed themselves principle and instinct.
Like the show’s viewers, Locke is justified in his cynicism, even after bearing witness to a seemingly paranormal event.
Traveler is a lot of fun, but it exposes one of television’s weaknesses as a medium.
The film is an astonishingly anti-dramatic take on the children of the failed May ‘68 revolution.
Written and directed by Terence Winter, “Walk Like a Man” came close to being all things to all Sopranos viewers.
That Spider-Man 3 is a morality play won’t surprise anybody who saw the first two movies.
Once “The Gates” are unveiled, Maysles and his team shrewdly phase out most of the negative observations.
We can only curse the heavens for so long.
Charlie Bartlett is basically Richie Rich Slings Dope.
Grey’s Anatomy and Entourage, two shows of the moment, would seem to have little in common.
Lady Chatterley, as it’s titled, is little more than a summa cum laude graduate of the Merchant-Ivory school of Classics Illustrated.
Sometimes extreme physical beauty grows more complex, more satisfying with age.
Politics come and go. Dictators rise and fall. But the circus is eternal.
Lost’s viewership is more savvy than most.
Dahl casts his actors firmly in type, but doesn’t let them get away with simply rummaging through their trick bags.
Godliness, so The Air I Breathe finally tells us, is all about the Benjamins.