I’ll be interested to see how strongly the public reacts to this reimagining.
By stripping away the political context that made Forrest Gump a pop culture hot potato, this film isolates and magnifies its story’s emotional appeal.
The episode plays less like an individual segment of the show and more like a long prelude to the two-hour finale.
Provocateur playwright and filmmaker Neil LaBute traffics in alternate reality.
If Breaking Bad began heading downhill rapidly last week, this week, it lets off the brake, heading into what appears to be the second season’s final act.
Even the trip to Long Island where we were shooting our scenes felt a little traumatic.
But it’s hard to reconcile this Ceylan with the deadpan stylist who drew my attention with 2002’s Distant.
America’s relationship with Star Trek began before man ever set foot on the moon.
It’s not the music, it’s the refrains that got me.
The more we get to know the people who are behind the scenes on Lost, the more we realize just how much our point-of-view characters are looking in on a battle they will never really understand.
The too-much-information age is a strange thing indeed.
“Better Call Saul” is the kind of episode that made me get interested in television in the first place.
Il Divo is a ballet on steroids, downright militaristic in its precision.
Still Walking is a family drama that gets the family dynamic exactly right.
The Soloist is a crude fiasco that trivializes the very values it allegedly enshrines.
The whole thing is well-filmed, competently paced, and generally praiseworthy.
It allows all of the characters to step back for a second and breathe, something they very much need after the events of the first six episodes.
With the recent demise of the much beloved Battlestar Galactica, this avid TV watcher found himself mourning the loss of its wonderful characters in a way he seldom has before.
Week one’s standout character returns to Paul’s office this week with new complications to her burgeoning disease drama.