Check out our ranking of all the Palme d’Or winners since 2001.
Cannes 2023 Lineup: Jonathan Glazer, Catherine Breillat, Ken Loach, and More in Competition
The previously announced Killers of the Flower Moon will screen out of competition.
This year’s Cannes lineup is, for now, a Lynch-less one, but it’s nonetheless stacked with new works by other established auteurs.
Today, the festival revealed the features and shorts that will screen in one of its most prestigious sidebars.
This year’s Cannes lineup includes the latest from several big-name auteurs, and more than a few past Palme d’Or winners.
Many of the selections at this year’s festival were genre films, or, at least, exhibited notable genre-adjacent elements.
In addition to Directors’ Fortnight, the festival announced the films that would screen as part of the ACID lineup.
Perhaps as notable as what made the cut is what didn’t make it onto the lineup.
The Wild Pear Tree sees Nuri Bilge Ceylan in a kind of self-aware dialogue with himself about the methodologies of his work.
Hopefully the arguments against Capernaum from the more discerning jury members will be strong enough to keep Nadine Labaki’s film from taking the Palme d’Or.
It feels like Lee Chang-dong’s most reflexive comment on the dramatic possibilities of his favored narrative form.
Noé’s relative narrative economy allows for Climax to feel like only a disappointing missed opportunity.
Christophe Honoré’s playful pop instincts are on display throughout Sorry Angel in short, affecting bursts.
This morning, the lineup for the 71st Cannes Film Festival was revealed.
Cannes isn’t the Oscars, but there’s still a certain formula that often defines the recipients of the Palme d’Or.
A very charitable reading might say that Roman Polanski’s Based on a True Story is designed to be self-negating.
You Were Never Really Here is possibly the most thrillingly unclassifiable film to play at this year’s Cannes.
Campillo’s film offers more than just the compelling social-realist ideas on its surface.
Good Time is at its strongest when it keys its intoxicating aesthetic to Robert Pattinson’s performance.
Claire’s Camera is one of Hong’s most formally intuitive and sharply written films in some time.