Camping focuses primarily on why things happen rather than merely striving toward hijinks.
The Romanoffs, an anthology series co-written and directed by Matthew Weiner, is ambitious but disappointingly inconsistent.
While impressive for its detailed and certainly imaginative world building, Maniac rarely dares to truly confound its audience.
The Haunting of Hill House is a kind of riff on madness in its many forms, a sojourn of loss and regret.
Kidding is a capital-E earnest drama that just so happens to star comedians.
In season nine, The Walking Dead concerns itself with the nitty-gritty of ensuring an egalitarian system of government.
It’s a tangle of plot threads, almost all of which are either underdeveloped or overly intricate.
As the season approaches its conclusion, it becomes harder to ascertain what exactly American Vandal finds funny.
Change looms over The Deuce, as the series focuses on the far-reaching effects of urban transformation.
More than any other prestige TV offering, BoJack Horseman is simultaneously edifying and infantile.
Despite humanizing its characters, Jack Ryan is mostly interested in a broad battle between good and evil.
Ghoul is ironically impersonal and perfunctory, suggesting the work of a polished propaganda machine.
In season two, Ozark dramatically quickens its pace, as if it’s brought a gun to a chess match.
Disenchantment feels instantly familiar, unmistakably a product of Matt Groening’s well-honed house style.
Lodge 49 mixes whimsical surrealism and more grounded portrayals of quotidian reality.
Orange Is the New Black has always taken a unique, often maximalist approach to television.
Castle Rock is a generically gloomy small-town mystery that doesn’t lack for allusions to Stephen King’s past work.
Sharp Objects ultimately testifies to the triumph of survival, no matter how ugly or desperate a form it takes.
When the winner of RuPaul’s Drag Race was announced, it felt arbitrary and compulsory.
RuPaul orchestrates the trip down memory lane as a rundown of oppositional forces in the latest episode of Drag Race.