In its final season, the series struggles to cook up something fresh, but it’s still hard to resist.
The series finds the comedian delivering some of his most gleefully inspired nonsense to date.
The latest installment of the true-crime anthology series is shallow and abrasive.
In its sophomore year, the series continues to thrive in a comfortable groove.
Ethan Hawke brings a rascally energy to the familiar part of a run-of-the-mill divorced loser.
The series finds the right balance of mellow, character-driven comedy and broader antics.
Across the series, characters, incidents, and backstories pile up in dizzyingly rapid succession.
The series may admirably connect the dots, but the results are patchy.
The series is a likable enough soap opera that’s only worth half of your attention.
Noah Hawley’s take on the Alien franchise is disorienting, alienating, and fascinating.
The series is still comically dry and capable of shifting into moments of low-key profundity.
The final season promises to answer more questions surrounding the show’s mythology.
The series takes its characters more seriously than it does its franchise.
The series gets Dexter back in action and gleefully leans into the pulpier side of his tale.
The show’s second season will be released in two four-episode batches.
Like its characters, the show’s fourth season is trying to find a mellower way of being.
They say good things come in threes—and Valerie Cherish is determined to prove it.
The series feels like a cop show from an older, more conservative era of television.
The series also stars Keri Russell in the eponymous role and Rufus Sewell as her husband.
The show’s overwhelming nice-ness is both its biggest strength and handicap.
For all its storytelling sins, the series skirts the most damning one of them all: It’s not boring.