The true-crime docs here expose the rot at the core of many of our venerated institutions.
The series consistently opts for excess over restraint, with disorienting results.
If you fed the jokes from early-2000s sitcoms into an AI generator, it would probably spit out Blockbuster.
Mike White’s series remains TV’s most intriguing and precise murder mystery-cum-social satire.
Guillermo del Toro’s horror anthology exudes an alluring air of mystery, rough around the edges but coursing with energy.
The series suffers from a problem that is symptomatic of the streaming era: It should have been a movie.
The show’s central story resonates most when it shows us its beating heart.
The series uses the trappings of horror to explore the power of storytelling as a means of reckoning with the unfathomable.
A Friend of the Family’s restraint allows it to sidestep some common pitfalls of many a true-crime drama.
Rather than feeling grounded in its everyday struggles, Entergalactic comes across more like a black hole of imagination.
AMC’s adaptation of Anne Rice’s novel embraces the opulence of the source material while adding a few modern flourishes of its own.
Andor has all the scruffy charm and boundless raw potential of its eponymous main character.
The show’s second season possesses a blend of exuberance and cynicism, even if the jokes feel baggier and the plots a bit sillier.
The Hulu series plays like an exceptionally late attempt to catch the long tail of meta sitcoms.
The series is a feat of logistics and scene-setting rather than narrative design.
Fundamentally, the series is about the difficulty of finding contentment in a world that perpetually keeps you on the defensive.
The series handles teched-up sci-fi concepts with the urgency of a conspiracy thriller and grounds them in a relatable family drama.
The series, based on Tyson’s one-man Broadway show, pulls a few punches but lands the big swings.
As the series unfolds, it homes in on the theme of empathy and skillfully connects its two seemingly disparate narrative threads.
The Game of Thrones prequel struggles to apply new makeup to the old face of palace intrigue.
Stretched over seven episodes, with a number of distracting subplots, the Netflix series over-complicates its initially intriguing premise.