Estelle Parsons has always found something interesting to do.
The English actor, who’s married to playwright Lolita Chakrabarti, talked to us about bringing Aldridge’s story, their labor of love, to the stage.
When I met with the playwright, I asked him about the origins of Tales from Vienna and his interest in carnal activities in the context of world history.
I recently talked to the actor and director about their long-term friendship, and about the two plays at the Cort Theatre.
Mink Stole has a devoted cult following that dates back to the 1970s, when she became an outrageously wacky fixture in the trash comedies of John Waters.
What initially seems an obsessive-compulsive mash note to The Simpsons becomes a brain-teasing deconstruction of pop culture, theater, and nothing less than the storytelling instinct itself.
The Machine, in short, is an anti-capitalist tragedy that spends half its time looking like a sci-fi melodrama and the other half like a biopic.
With expert comic timing and devastating charm, Urie plays an out-of-work gay actor who’s hired to work for Barbra Streisand.