The singer has teased a new release date for the set and announced a companion album to boot.
The track makes a nod to Ennio Morricone’s theme song from The Good, the Bad and the Ugly.
Bono refers to the six songs that comprise the EP as “reactions to present day anxieties.”
Co-produced by Jack Antonoff, the four-minute track is filled with whimsy and drama.
The Boss minces no words, name-checking Donald Trump, Stephen Miller, and Kristi Noem.
The instrumental track is lifted from the soundtrack to the singer’s new tour mockumentary.
The singer serves up a woozy cocktail of fluttery flutes, wobbly bass, and pie-eyed key changes.
The song sees the singer expanding his sonic palette in a more experimental direction.
The midtempo track finds the singer squarely within his old-school wheelhouse.
The first trailer for Nolan’s adaptation of Homer’s epic Greek poem is here.
The song’s title isn’t the only thing about it that nods to the 1980s.
The propulsive electro-pop track reunites the singer with longtime collaborator Klas Åhlund.
Directed by Mitch Ryan, the video for “House” is equally as ominous as the song itself.
The video follows the Daft Punk robots on a kaleidoscopic voyage through space.
The track sees the singer returning to a more conventional pop sound.
The final season sees the band getting back together.
The trippy video for “Big Sleep” is perfect match for the brooding but atmospheric track.
The clip premiered over the weekend as part of ‘The Official Release Party of a Showgirl.’
The clip, directed by Dave Meyers, sees the rapper-singer playing a bride on the run.
The singer’s new single is a break-up song with a macabre twist.
The track is a funk-pop workout that moves the rapper-singer back toward a sunny pop milieu.