For appealing to voters’ nostalgia for drunken karaoke nights of yore, one film has the upper hand here.
If it were biologically possible to do so, both Ed and I would happily switch places with A Quiet Place’s Emily Blunt.
Sometimes it’s important to just step back and pay your respects to a remarkable actress.
Sigh, can we just edit this whole Oscar season from our memories?
Honestly, we’re so gobsmacked by AMPAS’s skullduggery that we can’t even see what’s right in front of us.
Throwing questions of artistic merit out the window, opponents of a Rami Malek win have dutifully cast doubt on his ideological purity.
We’re well passed the halfway point in our Oscar prediction cycle and we’re struggling to sustain what little excitement we have for this enterprise.
Behold the Biopic, the Pillar of the Great Man!
Year in, year out, Oscar voters have tended to judge this category in favor of the film that least makes them feel embarrassed to support.
Dear AMPAS: It’s not too late to walk back your inexcusable decision to banish this and other technical categories to commercial breaks.
Going into this year’s nominations, cinephiles wished for three composers to make the cut in this category.
This awards season, Spider-Man: Into the Spider-Verse has proven to be the animated feature of choice for critics and guilds a like.
A remake of Child’s Play, starring Aubrey Plaza and Brian Tyree Henry, is now in the can and coming to a theater near you.
Mahershala Ali, still fresh off his prior win in this category, performs utter miracles with the role of jazz pianist Dr. Don Shirley.
There may be no jokes in Weekends, but it certainly doesn’t lack for virtuosity.
By the end of Period. End of Sentence., woman after woman muses that she’s actually the stronger sex, and who in the Academy would dare argue otherwise?
A child in peril remains the fetish du jour of AMPAS’s Short Films and Feature Animation Branch.
Of Fathers and Sons’s front-facing depiction of unambiguous evil seems the most likely to draw voters less than moved by the mere existence of the Notorious R.B.G.
After winning his second DGA award last night, there’s no reason to believe that Cuarón won’t complete the hat trick at the Oscars.
That Christian Bale packs it on and sheds it off with the change of seasons has become the essence of his thespian identity.