Banks’s new music video pays homage to Janet Jackson’s iconic video for her 1987 single “The Pleasure Principle.”
The music video for Jennifer Lopez’s “Dinero” is as over-the-top as the song itself.
The music video is a moving meditation on America’s school shooting epidemic.
Co-produced by Kanye West, “Accelerate” is propelled by perpetually shifting beats and a rumbling electro bassline.
The Band’s Visit, Angels in America, and Rodgers & Hammerstein’s Carousel snagged 11 nominations.
Listen to the first two singles from Minaj’s long-awaited fourth album.
The new trailer for Ocean’s 8 reminds us, more than once, that committing a crime can be deliciously fun.
All eyes (at least most) are now on Timothée Chalamet.
The video pays homage to Jean Genet’s Un Chant D’Amour, the Wachowskis’ Bound, and classic greaser cinema.
Today, A24 has released the trailer for David Robert Mitchell’s follow-up to It Follows.
This “new piece” is no doubt an homage to Nick Park’s iconic Creature Comforts from 1989.
Baltasar Kormákur’s Adrift is, shudder, “based on the incredible true story…of what would become the largest storm in the Pacific.”
We sometimes like to think that studios listen to our pain.
Judging from the sequel’s first trailer, we are in perhaps for a darker experience.
Marja-Lewis Ryan’s 6 Balloons premiered last night at SXSW, and at least according to Film Twitter, the response was a warm one.
Taylor Swift’s latest music video shows a softer side of the singer.
In the wee hours of the morning, Iggy Azalea dropped the music video for her catchy new single, “Savior.”
The iconic alt-rock band Belly returns with Dove, their first album in 23 years.
Monáe releases the first two singles from her new album, “Make Me Feel” and “Django Jane,” with complementary music videos.
It seems like Ari Aster’s feature-length directorial debut is being marketed as less miminalist in the horror department than both The Witch and It Comes at Night.