The singer has teased a new release date for the set and announced a companion album to boot.
Unfocused and sporadically brilliant, ranging between irritating moments of woolgathering oddness and ripe, sharply delivered wordplay.
The Hum is an exploration of motorik momentum, droning guitar distortion, and loud-quiet dynamics.
My Favourite Faded Fantasy is Damien Rice’s most sonically cohesive album to date.
The Inevitable End excels when it splits the difference between brooding angst and wistful schmaltz.
Whitney Houston Live: Her Greatest Performances has only the most superficial comprehension of the artist’s legacy.
Lorde Unveils Video for “Yellow Flicker Beat,” from The Hunger Games: Mockingjay – Part I
The song is befitting an epic blockbuster franchise like The Hunger Games.
The album shrewdly distances Jonas from his former band’s straightforward pop-rock.
Die Antwoord Recruits Jack Black, Marilyn Manson, Flea, & More for “Ugly Boy” Music Video
The video proudly boasts a plethora of hip-hop and goth clichés.
On Motion, Calvin Harris either revitalizes tricks from earlier in his career or descends into self-parody.
Storytone introduces the world to Neil Young the crooner, which is probably not a side of him anyone thought they ever needed to hear.
Future turns a low point in his life into work that deepens the character of his art.
We look back at the Knife’s catalogue to compile a list of their very best tracks.
The album not only resumes the lyrical onslaught of its predecessor, but expands the duo’s purview.
Otra Era agreeably splits the difference between commercial ambition and individualism.
On his major-label debut, Money Sucks, Friends Rule, Francis attempts to make the Swiss Army knife of party albums.
1989 displays Swift’s willingness to venture outside her comfort zone without much of a safety net.
Ypres is notable for, more than any other Tindersticks effort, indulging an avant-classical ambition.
The covers on With a Little Help from My Fwends tend more toward pointless sabotage than creative rearrangement.
“Baby Don’t Lie” finds Gwen Stefani effortlessly grooving to a reggae-flavored beat and an admittedly catchy hook.
Kiesza’s debut, Sound of a Woman, quickly reveals itself to be a crafty bait and switch.