The track expands the singer’s sonic palette with oscillating synths and sweeping strings.
It’s Wham! All over again, innuendo and all.
Any new Destiny’s Child material? No. Scam to get your money? Yes. Good fun? Of course.
Haaksman, currently busy puffin’ away and working on several new projects, took a few moments to speak with Slant about the influence of dub, both personal and universal.
The album is electronic music’s most consistently compelling compilation since last year’s Tribal Futures: The Way Ahead.
Hip-hop veteran Q-Tip’s second solo offering is a far cry from the slick beats and sticatto rhymes of 1999’s Amplified.
Hip-hop’s ever-prolific mainstay Jay-Z has joined forces with R&B crooner R. Kelly for what is promised to be The Best of Both Worlds.
The Eels’s fourth album, Souljacker, teams frontman E with John Parish, best known for his work with PJ Harvey.
The album is sonically and conceptually more aggressive than the group’s debut.
Yes, artists should be paid for their work, but the industry’s ongoing legal squabbles are anything but selfless.
The songs are scrumptious morsels but the album as a whole is quite redundant.
Wanderland ultimately sounds more like home to the Neptunes than Kelis.
It’s refreshing how some things never change.
The all-grown-up Miss Moesha seems to be making her final transition from sitting up in her room to sitting on top of the world.
The Guest is a colorful mix of intelligence and youthful exuberance.
Here are our predictions for who will win, who should win and who doesn’t stand a chance.
Donelly finds herself smack-dab in the middle of a musical uprising not unlike the kind she helped spearhead over a decade ago.
Bad Religion’s return to Epitaph seems to signify a desperate grasp at the levers of a time machine.
Capitalizing on Jenny Lo’s re-ignited music career, Epic has issued J to tha L-O, a collection of new and previously unavailable remixes.
Post-Glitter, can Mariah Carey bounce back?
Yes, that’s a computer-generated outer space you’re floating through.