The singer has teased a new release date for the set and announced a companion album to boot.
The album sits comfortably somewhere in between the computer-generated Kid A and the prog-rock splendor of OK Computer.
The singer’s sophomore effort mixes more of the same with a reggae buzz that evokes Paul Simon’s solo work.
With Graham Coxon out of the picture, world beats and bass guitar take on new lead roles.
Whether it be soothing techno-ballads or custom-made clubs tracks, Goldfrapp knows how to draw you in.
The biggest liability of becoming the “American Idol” is evident on winner Kelly Clarkson’s debut album, Thankful.
Fleetwood Mac’s new album, Say You Will, may well have been titled The Buckingham & Nicks Show.
Presley’s twangy brand of rock and sultry vocals sound more like Sheryl Crow or Cher than the King.
The Androids’s lead singer Tim Henwood is not your typical rock god.
If nothing else, it is a consistent and hook-laden attempt to get noticed.
To celebrate American Life’s release, Slant Magazine has delved into Madonna’s catalog and reevaluated her key releases.
The album is a middle-of-the-road mix of restrained pop ballads and club-friendly house anthems.
Eat your heart out, Fred Durst.
Watley’s sultry, smoky voice is a perfect match for the housey beats of a few tracks here.
Tracks like “Mercury” and “Pretty or Not” explode into their respective choruses while others are simply noisy and boorish.
702 are all grown-up and have regrouped for their third album.
Copenhagen’s the Raveonettes have delivered a deeply fertile debut.
A grassroots punk rock tribute to the late punk icon, Joe Strummer, at New York City’s premier underground venue, CBGB’s. What could be more fitting?
The singer never sounded as vulnerable or cerebrally plugged in as she does here.
The album is the sound of a queen, sitting on her throne, taking inventory of her icy, empty fortress.
DiFranco’s eponymous debut begins with the now-classic “Both Hands,” the unmistakable first chords of which sparked a folk revolution.