From Taylor Swift to The Tortured Poets Department, we’ve ranked all of the singer’s studio albums.
Madvillainy is a chameleonic masterpiece that alone validates the artistry of sampler culture.
It’s a rare, special thing when a band creates an album that speaks for an entire generation.
No Doubt’s Rock Steady is as consistent an album (and as enjoyable a listen) as one can expect from a band that refuses to stand still.
There’s no doubt that those in Nas’s loyal fan base will keep the first disc in their players.
Gena Olivier expertly navigates L.A. trio Midnight Movies through ominous depths from behind her drum kit.
You’d think that with an album title like Speak, Lohan would actually have something to say.
The musical backdrop is so predictable that it doesn’t allow Downey a single fold to hide his voice behind.
The album can be divided into three separate parts: modern, retro, and somewhere in between.
Free Yourself is a smattering of everything that’s going on in mainstream R&B right now.
So what made them think they could get away with a follow-up?
We are all destined to spend a lifetime being held hostage by Beyoncé’s gyrations in the name of Jesus.
Eminem’s weakest moments are always the ones in which he feels the need to apologize.
The album is a great stocking-stuffer for the avid Seal fan.
All the guitars on Palookaville (when they show up) sound like Top Gun Kenny Loggins.
David Byrne and company truly had their fingers on the metronomic pulse of modern culture.
Luckily for Rufus Wainwright, George W. Bush has won a second term.
My Kind of World is unlikely to turn Amber into an album artist.
The New Danger is more a collage than a collective statement.
Poe Little Rich Girl is proof positive that the world may indeed be coming to an end.
Where Our Love Grows will undoubtedly bolster Swing Out Sister’s status as a cult coffeehouse favorite.