On the occasion of Spider-Man: Brand New Day’s release, we ranked all the films in the MCU.
This is a year in the life of a little drama queen who just wants to make it to another.
Ross McElwee asks us to reconnect not only with each other but with our human spirit.
The miscast Rock never comes close to matching Joe Don Baker’s sweaty, ungainly, force-of-nature hick heroism.
It’s depressing that New York Minute’s ideology is being pitched toward impressionable youth.
Here is a Harry Potter film where the filmmaker isn’t trying to fulfill a check-listed quota.
Spider-Man 2 is a superhero flick bursting at the seams with big emotions.
To see Laws of Attraction is to see an actress play the fiddle while her reputation burns.
The film is slim pickings compared to Heathers, but it makes mincemeat out of 13 Going on 30.
Home on the Range gesticulates with the sluggish and unceremonious vibe of direct-to-video Disney or Saturday morning cartoons.
It’s easy to see what attracted Guillermo del Toro to Mike Mignola’s Hellboy comic: its hopeful humanity.
Don’t be fooled by The Prince & Me’s questionable marketing campaign.
From its first frames, A Short Film About Killing exudes a cosmic foreboding.
Todd Haynes views glam rock as an art form that allowed means of expression for a band of outsiders.
To say that the second Scooby-Doo movie is an improvement over the first isn’t really much of a compliment.
There is a place and breaking point for everyone here, and Foolish Wives is disillusionment von Stroheim style.
Patrice Chéreau cuts to the core of human agony with the kind of precision that escapes most living directors.
The Ladykillers updates the endearing yet instantly forgettable Alec Guinness heist flick from quaint London to the Mississippi Bible belt.
It’s an entertaining parody of the ludicrous code-of-the-streets machismo celebrated by classic gangster cinema and hip-hop culture.
Monsieur Verdoux still matters, and it’s still an urgent work of necessary art.
Krzysztof Kieślowski’s A Short Film About Love speaks with the tranquility of a parable.