This relentlessly cruel rejiggering makes every Evil Dead film before seem like Sunday school.
Though its lugubrious and plodding narrative spins its wheels ahead of someone coming along to fill T’Challa’s shoes, Wakanda Forever does stand out for its depictions of grief.
Bardo signals that Alejandro G. Iñárritu, perhaps, is unable to push the limits of his own artistic expression.
If only everyone else had followed Travolta’s lead, then the film might have lived up to its title.
The hot streak for Irish animation studio Cartoon Saloon cools with My Father’s Dragon.
The focus on Ferragamo’s craft is exciting, but the narrative’s tendency to embody the opposite of the designer’s innovativeness feels lazy and contradictory.
The film works hard to create excitement and emotion around an interplanetary rock hunt.
The film’s sheer fun and invention counterbalance its main characters’ abject failure in their search for meaning and success.
The film ties itself into many knots as it chases the superficial sugar high of a big reveal.
The film’s basic premise exists mainly to show off the possibilities of the Scope frame.
Gray and his teen actors discuss their understanding of the 1980s, pinpointing one’s sense of process and style, and more.
The best horror films insist on the humanity that’s inextinguishable even by severe atrocity.
The film’s unapologetic level of artifice is at once the source of its pleasures and limitations.
It’s safe to say our cultural fascination with the blood-sucking undead isn’t going away anytime soon.
The Limey is one of many American films released in 1999 that seemed to be saying goodbye to the rebel spirit that allowed indies and mainstream movies to comingle as they had in the ’70s.
Many of the films at this year’s Doclisboa were meditations on colonial oppression, environmental degradation, and resurgent imperial warmongering.
If zombies seem infinitely spongy as functional allegories, it’s their non-hierarchic function that retains the kernel of their monstrousness.
On the occasion of the release of Black Adam we ranked every DCEU movie from worst to best.
The film is marked by wild flashes of invention, all born of painstaking craft and devotion.
The film suggests that violence on behalf of an oppressed people isn’t only justifiable but even moral.
Justice, Argentina, 1985 suggests, isn’t a destination but a constant process.