Though Visconti operates on the surface level of the material, he crafts a seductive surface.
The trailer can’t be accused of not leaning into the elation of the material.
Sinners is one of the most distinctive, confident mainstream films of the modern era.
Pedro Pascal, Austin Butler, and Emma Stone also star in Aster’s fourth feature.
Ahn talks about what he hopes audiences will take away from his spin on the material.
Cronenberg discusses the pull of A.I., taking to the dead, and the optimism of the film’s ending.
Courtney Stephens’s film blends fiction and autobiography to fascinating implications.
Unsurprisingly, Mission: Impossible – The Final Reckoning will screen out of competition.
The Amateur is exciting for the way that it sustains its corkscrew tension.
Sarnoski is a good choice to address what many see as the game’s monotonal pitch.
Have you ever wondered if Gareth Evans dreams of puppies and rainbows?
The film is the story of a family and a family business.
The trailer goes to great lengths to emphasize that this is the last Ethan Hunt adventure.
In the end, though, Cage can only do so much to bring this hastily assembled oater to life.
Garland and Mendoza adhering to a Dogme 95-esque code of purity while making the film.
The strength of Michael Angarano’s film is that it knows how to keep things moving.
The film is about more than the real leverage that militant mass movements can exert.
Jared Hess’s film is riddled with bugs.
Laura Casabé abstracts the typical emotions of tortured teens, only to then amplify them.
The film amounts to more than a slow cinema-inflected riff on the Final Destination series.
The film embodies the cruel ironies of a woman’s declining state in story and style alike.