Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The film’s twist ending exists only to retroactively justify writer-director Steven Knight’s feeble stylistic choices.
Nominations for the 91st Academy Awards were announced today and The Favourite and Roma led the way.
If the film ultimately seems to question Carol’s courage, there’s at least no doubt about Ida Lupino’s own.
Brandon Zuck’s sexy and stylish gay thriller Stay debuts for free online.
The Brazilian animated feature offers relief from the impersonal assault of contemporary pop culture.
The film doesn’t bring to light otherwise unexplored aspects of the experience or memory of persecution and genocide.
Joe Cornish’s film is vigilant in its positivity and hope for the future at nearly every turn.
How has Oscar royally screwed things up this year? Let us count the ways.
M. Night Shyamalan’s film is aimed at an audience from whom he cringingly craves fealty.
The film is a cynical critique of American foreign policy wrapped up in an uncluttered narrative that thrives on pulpy thrills.
Ana Brun’s performance as Chela anchors our attention where Marcelo Martinessi’s understated visuals might otherwise lose it.
Chris Smith’s documentary about the 2017 Fyre Festival implosion resists the urge to revel in cheap social media schadenfreude.
The film uses the grieving process to lend the proceedings a sense of unearned emotional gravitas.
Only in the bittersweet final passages does Franz Osten achieve a few moments of genuinely moving melodrama.
Replicas’s slippery grasp of just how much of its main character’s research is scientifically possible defines much of the narrative.
Manolo Caro’s film uses its characters as rigid markers of cowardice, lust, and entitlement.
The film becomes overrun by an increasingly preachy and tiresome series of life lessons about race, class, and love.
Writer-director Adina Pintilie’s Touch Me Not depicts sexuality with unaccustomed frankness.
As a filmmaker, Landais is trying to run before he’s even figured out how to walk.
There’s a difference between ambiguity and vagueness, which State Like Sleep doesn’t always discern.