Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Domingo discusses Chadwick Boseman’s final performance, delivering a “sermon” to an ailing nation alongside Zendaya, and more.
There are enough left turns here to allow us to shake the impression that we’ve been to this rodeo before.
Shawn Linden skillfully draws us into the narrative before springing a series of startling traps—of both the narrative and literal variety.
The Father approximates the dislocation of its main character’s mind with a frighteningly slippery ease.
The film’s empowerment fantasy of a woman who steamrolls male egos is as stylish and fun as its portrait of gender relations is dire.
The film suggests that ignorance or distrust of the news is the bedrock of America’s formation.
This year, a pandemic revealed that cinema, like every other facet of society, wants for more democratization.
These are the individual ballots that determined the site’s Top 50 Films of 2020.
George Clooney’s film is a plodding and deeply unsatisfying genre exercise.
Jamie Dornan is a stiff whom Jon Hamm immediately upstages, and this dynamic underscores why the film is so tedious and unsatisfying.
The film allows the scion of one of Hollywood’s most notable families to interrogate her relationship with celebrity in self-aware fashion.
The Japanese auteur’s latest demonstrates his mastery at straddling styles and genres.
The film’s orderliness of plot somewhat undermines the sense that the family at its center is steeped in a truly messy situation.
What could have been a profound study of grief and psychological trauma is diluted with needless structural and stylistic obfuscation.
Soderbergh’s formal gamesmanship enlivens what could have been a stodgy scenario.
Ryan Murphy’s vibrant film adaptation makes a closer-to-seamless whole of the story’s disparate parts.
Mariusz Wilczyński’s animation style strikes an unlikely balance between the childlike and the proficient.
The documentary may be the defining portrait of the dawning of the Covid-19 pandemic.
In a troubling reversal from Pixar films past, it’s kids who will have to do the most heavy lifting to keep up here.
Shot through with darkly existentialist humor, the film finds Aubrey Plaza throwing a gauntlet to filmmakers who have typecast her in the past.