For its 27th edition, the festival presented 20 features and six short films over five days.
The playwright discusses the origins of Tales from Vienna and his interest in carnal activities in the context of world history.
We chatted with Cox about the unexpected Castlevania reboot’s success, and what to expect for its hotly anticipated sequel.
Omar is unmistakably political, but he insists that he aimed to sideline politics in the Oscar-nominated film.
Guiraudie spoke of his ’70s fixation, his attraction to the mythical, and Stranger by the Lake as existential study.
Stein and Willett discuss G.B.F.’s witticisms, its handling of stereotypes, and more.
Bell discusses Raze’s politics, its title, her craziest stunts, and the must-sees for anyone visiting her home country.
Contrary to the curious, outspoken beliefs of some, we prefer to celebrate movies around these parts.
He reveals his views on the military and Lone Survivor’s violence, but keeps mum on that Cruise-Wahlberg thing.
For better or worse, the music video was surprisingly central to the way we thought about music in 2013—for better and for worse.
What were the common threads among the finest film posters of 2013? Mustaches. Sunglasses.
The playwright discusses the limits of control and his opinion that his own mother is “a goddamned liar.”
Every year, countless audience-insulting ads arrive to support the theories of the doomsday crowd.
Reports of cinema’s demise, as it turns out, have been greatly exaggerated.
As our list attests, if album-as-format is dead, it’s enjoying one hell of an afterlife.
The actress gets real about almost quiting acting and her belief that women shouldn’t “lead with sex.”
The year’s biggest singles took the pleasure principle to reckless new, solipsistic heights.
The year’s best TV offerings were either enlivened by the medium’s possibilities or lovingly defied them.
This year will be known for its forward movement filibustered by a final burst of impressive current-gen titles.
I looked back on the year and thought about single cinematic images that knocked me flat.
Isaac spoke to us about bringing his talents to a film that’s both inspired by real events and distinctly Coen-esque.