Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
In selecting the worst films of the year, we dove into ourselves and not the percentage pool.
NBC’s Hannibal ran for three seasons, but its concept called for at least twice as many.
So long as you know where to look or can swing the price, here are 20 essential releases you’ll want to have on your shelves.
At a time when so many certainties are slipping away, the cream of the theatrical crop is concerned with collapsing established boundaries.
If ingenuity and craft are legitimate measures of success, then the rumors of the LP’s demise are indeed greatly exaggerated.
Our picks for the best singles of the year found new, inventive means of correspondence between the past and the present.
The year saw TV not only taking on stories that film studios lost interest in a while ago, but starting to create cinematic visions out of these stories.
Whether gamers end up going for all of these titles, that there’s now more for everyone can only be a net positive for the future of this industry.
The filmmaker discusses the role of scatology in the Arabian Nights trilogy and his frustrations with political passivity.
Pennebaker discusses Dylan as a “latter-day Bryon” and the Don’t Look Back’s enduring legacy.
We chatted with the director about why she decided to sign on to The Leftovers and what it was like to help find the show’s voice.
The filmmaker discusses cinephilia, cinema technique, and the deceptive simplicity of Carol’s romantic pas de deux.
In a series of challenging roles on the stage, Thomas is carving out a new life for himself.
Low-key but engaged, the actor talked about his work and his interest in what makes people tick with unpretentious sincerity.
The Entertainment director discusses his creative aim of destabilizing an audience and his mounting fear of a sympathetic protagonist.
Mond discusses James White’s origins, stars Christopher Abbott and Cynthia Nixon’s involvement in the film, and his future projects.
The enfant terrible discusses the making of Love, masturbation, and playing with spectators in three dimensions.
We spoke with the actor about Out 1, his political investments during May ’68, and how France’s current government is a “sad” state of affairs.
Affable, down to earth, and with no axes to grind, he spoke to us frankly about Tab Hunter: Confidential and his closeted gay life during the 1950s.
Anderson discusses her interest in fear, why Amazon.com doesn’t really understand you, and how Heart of a Dog is definitely not just about her dog.