Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The seemingly unguarded Silva discusses what makes Wiig’s sense of humor so special and why it’s hard to kill a hipster.
We spoke with Varda about her career-long dedication to hybridizing fiction and documentary and her recent seminars in Chicago.
To hear him speak about his process and his professionalism, you wouldn’t think he’d skipped a beat since Flight of the Red Balloon.
The filmmakers discuss with us the making of The Forbidden Room, its Russian-doll structure, and future projects.
On a cool, cloudy French Quarter morning, we spoke to Fleck about learning to play poker and his love for “old-school American characters.”
What other films have seen their heroes roam the red landscape or tussle with its residents?
The 99 Homes director discusses gun-toting real estate agents and not blaming his characters for the moral dilemmas they find themselves in.
In addition to new works by auteurs new and old, the festival is once again rich in sidebars and special events that aren’t to be missed.
We spoke with the filmmaker about Breaker Morant and Mister Johnson, two of the Criterion Collection’s latest titles.
Gurney discusses how his plays have been labeled and the risk that often comes with putting so much of himself on the stage.
We caught up with the mewithoutYou frontman just hours before the band’s gig in St. Louis.
The Mend star spoke to us about his fondness for playing sly guys who more often than not find or cause trouble.
Joe Swanberg’s latest, Digging for Fire, is, above all, a showcase for Jake Johnson’s affable qualities as an actor.
It’s with a combination of curiosity, excitement, and concern that one approaches a new project by such an obvious talent as Lois Patiño.
The Kiwi multi-hyphenate revealed himself to be quite responsive and allergic to self-aggrandizement.
Neveldine talked to us about his foray into short-story writing and the visual strategies used in The Vatican Tapes.
He hopes The Look of Silence can push Indonesia toward something like a Truth and Reconciliation Committee.
The actor discusses how he finds a character’s DNA through the way that he moves.
One of our finest actresses, she has a knack for making cool, even somewhat icy characters seem sympathetic.
Christopher was eager to talk about how he was able to restore his 1998 film 54 to its original glory.