Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Our conversation led us into discussion about how far Mr. Rogers’s philosophy can extend into today’s world.
Johnson discusses his affinity for the whodunnit, his love of Agatha Christie, Star Wars, and more.
Haynes discusses how the film quietly continues some of his aesthetic trademarks and thematic concerns.
Greenfield discusses how the film relates to her body of work and the warnings Americans ought to heed from it.
We’ve compiled the best feature-length adaptations of King’s work, excluding the mostly mediocre TV adaptations.
Richter discusses how he connects his classical schooling to one of his other early passions: outer space.
The film image opens a space for both a reckoning with the old and the creation of the new.
Lapid discusses how he sought to confront audiences with questions about belonging, nationalism, and identity.
The Oscar-nominated actor brought a sense of honor and dignity to every role he played.
If cinema is, indeed, the domain of freedom, then the festival doesn’t see Netflix as the villain in that struggle.
Zombie discusses how he corrals his films’ furious sense of energy and how sex appeal can trump common moral sense.
A striking number of the titles that appeared in the festival’s competition slate this year operate in a playful, breezy register.
Hoberman discusses how the art of filmmaking, and the business of moviegoing, influenced, mirrored, and altered Reagan’s presidency.
These films are fearless in thrusting us into worlds beyond our own.
Onah and Harrison discuss their approach to creating the film’s central character and how they navigated his many dualities.
Even the most casual exchanges at the festival ended with some variation of a sentiment that arose as a mantra: “It’s complicated.”
The filmmaker discusses his latest, and his antipathy toward the mass machine of modern pop culture.
The festival feels very much on the rise, both as an international industry shindig and a well-funded driver for cultural tourism.
On the occasion of the release of Once Upon a Time…in Hollywood, we ranked Tarantino’s feature films.
The festival feels like a long-awaited apparition in a place where events of its magnitude might be scarce.