Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
Fiennes discusses his affinity for Russian culture and exploring Nureyev’s life in nonlinear fashion.
As evangelistic as I tend to get about making new discoveries at TCMFF, the familiar can also be revelatory.
The Chinese filmmaker himself appears not to suffer any pressure to separate the experience of the film from his own visual ideas.
These 25 Chemical Brothers songs are some of the most explosive, head-bobbing, ass-shaking anthems in electronic music history.
The director and actor discuss how the film’s main character progressed from Denis’s imagination to Pattinson’s realization.
Leigh discusses the seemingly counterintuitive process of making a period film more contemporarily relevant by fully embracing the past.
Kurt Cobain, Krist Novoselic, and Dave Grohl were prolific enough to produce some of the greatest rock songs ever put to tape.
Varda spent the better part of her life ruminating on the nature of time, the interior and exterior lives of women, and the socially marginalized.
Jones discusses how he and his collaborators were able to inform Diane with such verisimilitude on a limited budget.
The actress speaks at length about the little pieces of herself that she sees in her character.
Jia discusses what he likes about digital video and how Zhao Tao helped bring her role to life.
The Daily Show alum talks about her savagely funny Adult Swim series Soft Focus.
The Oscar-winning actor discusses working with Asghar Farhadi and his thoughts on guilt, the power of fatherhood, and more.
No one is okay with the Academy Awards the way they are, and everyone seems sure that they know how to fix them.
Farhadi discusses the universal human instinct to distrust outsiders, the strong similarities between Spanish and Iranian culture, and more.
The actor discusses his lifelong fascination with fighting, doing his own stunts, his experiences with violence, and more.
The filmmaker discusses his relationship to art, the influence of Elia Kazan on his work, and consulting with Gerhard Richter.
How has Oscar royally screwed things up this year? Let us count the ways.
The year’s best music videos reflect the technology we use, the power we wield, and the places we carve out for ourselves.
These performances share a commitment to achieving emotional vitality by any means necessary.