There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
At this year’s BFMAF, the lines between documentary and fiction were blurred in productive and challenging ways.
In 1998, the Queen of Pop flung herself like a whirling dervish into a genre whose commercial prospects were uncertain at best.
We took a look back through the singer’s catalog and picked her 20 best singles.
One might say that the IFFR puts the “jaws of life” to the test on cinema.
Hansen-Løve discusses her approach to autofiction, her characters’ vocations, and more.
Eisenberg discusses the relationship between his feature directorial debut and Fleishman Is in Trouble and his Oscar-nominated turn as Mark Zuckerberg in The Social Network.
There’s every reason to expect Oscar to keep on Oscaring as it’s always done.
Diop discusses her aesthetic choices across editing, costuming, and sound design.
Simón discusses her approach to reflecting the gender dynamics of rural Spain and more.
These shows range from revitalizing revivals to redemptive restagings of undervalued gems.
Is the music video dead (again)? These 10 videos prove that the answer is a resounding “no.”
You should buy a ticket at your local rep house for each title you buy, lest we run out of titles to laud here in the future.
Marie Kreutzer discusses her take on Sissi and how she approaches writing historical fiction.
While some boogie-inspiring electronic music impressed us this year, we were more transfixed by synthetic sounds.
The worse the times, the better the horror.
The best hip-hop albums of the year covered a wide variety of styles, modes, and moods.
These sequences wielded the tools of cinema to make themselves unforgettable.
Hong Chau discusses acting between the lines and balancing work and parenthood.
If cinema is in a state of identity crisis, we’re all the beneficiaries.
Rumors of streaming’s demise are premature, as nearly half of the shows on this list are streamer properties.