For a series dedicated to supposed historical realism, it wraps up its network run with a bow of pure fantasy.
Nearly six months after the track made its premiere online, Robyn’s “Love Is Free” finally gets an official music video.
25 is essentially a series of apologias that finds Adele taking responsibility for at least some aspects of her tattered love life.
The album’s original material holds its own alongside the yuletide classics, the standout being the Chris Martin-penned ’Every Day’s Like Christmas.’
That Garbage’s tour is called 20 Years Queer suggests they’re aware of the progress that’s been made since their figurative coming-out party in the mid ’90s.
The British singer’s new music video opens with a sepia-toned shot of a dusty windowsill covered in mounds of dead flies.
Song for song, Revival rivals Carly Rae Jepsen’s Emotion for breakout pop album of the year.
The music video finds the 18-year-old Lorde carvorting with a married man.
Over 30 years into her career, Madonna is still acting like a virgin.
As promised, the song skews more toward the slick trip-hop of Born to Die than the rootsy rock of last year’s Ultraviolence.
The mini-album feels like a bridge between Robyn 2.0 and an incarnation of the dance-pop icon we—and she—haven’t yet imagined.
Little Boots’s third album, Working Girl, is, much like its predecessor, a more sonically focused effort.
The rollout of Madonna’s new album, Rebel Heart, continues to be a bumpy one.
On another eternity, Purity Ring displays a willingness to more intrepidly embrace the pop underpinnings of their debut.
Tucked inside the lumbering mass of songs is an album that would, under any other circumstances, make for her best in at least a decade.
The songs should ostensibly inspire nostalgia but instead feel like they just rolled off a conveyor belt.
Throughout, the dancer turned singer busts out some “Papa Don’t Preach” footwork, “Vogue”-style shoulder rolls, and gravity-defying moves reminiscent of Michael Jackson.
There are a few sure bets in life: rain, taxes, and, until recently, a female artist winning the Grammy for Best New Artist.
Trendspotting is a tricky enterprise.
Among the new songs are “Bitch I’m Madonna,” a garish EDM track that’s perhaps the most divisive of the songs that have leaked.