Blanchett’s famously steely face becomes unrecognizable in the video for the trip-hop band’s new song.
The singer-songwriter discusses her retrospective album, influences, and more.
Hacking proves to be the perfect symbol for the psychological subversion that Elliot, along with his friends, family, and even enemies, cannot help but indulge.
The album works best as a song cycle rather than a collection of pop hooks.
The movie is a pop-culture mash-up that miraculously doesn’t buckle under the self-serious weight of its myriad literary references.
This is a band very much alive, and hungry, not simply a bunch of middle-aged rockers taking a victory lap.
Adele’s new music video is a a kaleidoscopic feast for the eyes.
Ariana Grande’s Dangerous Woman smartly has one eye fixed squarely on the past.
“In Common” boasts a pointillistic collage of electronic beats and tropicalia-infused rhythms.
Radiohead releases the first single and music video from their upcoming ninth studio album.
Despite its glum title, the album features crisp beats, bubbly synths, and…Debbie Gibson.
Lemonade is Beyoncé’s most lyrically and thematically coherent effort to date.
“Rewear It” literally and deliberately fuses environmental activism with fashion.
The nakedness with which Stefani assesses the ruins of her relationship is stark.
Whether it was classic rock or the blues, Buckley’s covers were never simply exercises in imitation, always revealing a part of him.
One of the most memorable performances from last night’s Grammy Awards broadcast took place during a commercial break.
After both losing to Daft Punk two years ago, Kendrick Lamar and Taylor Swift face off again in Album of the Year.
Beyoncé’s “Formation” is a startling, and subversive, statement.
Anti’s second half finds Rihanna dabbling in previously unexplored genres, and to various degrees of success.
That the songs on This Is Acting were intended for other artists results in material that you wouldn’t expect to find on a Sia album.