Review: Where’s My Roy Cohn? Stares Steadfastly Into the Face of Evil
Review: Waves Sweeps You Up in a Formidable Current of Formalist Tricks
Review: Martin Eden Is a Moody Portrait of a Writer’s Need for Individualism
Review: Lorene Scafaria’s Hustlers Is a Fun Parable of Great Recession Survival
Review: Motherless Brooklyn Captures the Look but Not the Spark of Noir
Review: Charli XCX Charts Her Own Path Forward with Charli
Review: Pixies’s Beneath the Eyrie Too Often Sounds Like Other Artists
Review: Lower Dens’s The Competition Paints a Bleak Picture of Capitalism
Review: The Highwomen’s Debut Subverts Tradition to Deliver Its Feminist Message
Review: Lana Del Rey’s Norman Fucking Rockwell Eulogizes the American Dream
Review: With Gears 5, the Quintessential Dudebro Shooter Series Grows Up
Review: Telling Lies, for Better and Worse, Lets You Choose Your Own Interpretation
Review: Ancestors: The Humankind Odyssey Shows Players an Obtuse Age
Review: Astral Chain Vibrantly Super-Charges the Same Old, Same Old
Review: In Blair Witch, There’s No Greater Horror than That of the Glitch
Review: The Deuce’s Final Season Prioritizes Anthropology Over Character
Review: Unbelievable Is a Wikipedia Article Dressed Up As a TV Show
Review: Mindhunter Season 2 Grapples with Identity and the Power of Words
Review: On Becoming a God in Central Florida Sees the Cult in Capitalism
Review: Carnival Row Is a Haphazardly Stitched-Together Genre Pastiche
The Best Stephen King Movies, Ranked
Locarno Film Festival 2019: Technoboss, Echo, & A Voluntary Year
Interview: J. Hoberman Talks Make My Day, Ronald Reagan, and ‘80s Movie Culture
The 100 Best Sci-Fi Movies of All Time
Interview: Julius Onah and Kelvin Harrison Jr. Talk Luce’s Ambiguities
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Review: Yasujirô Ozu’s The Flavor of Green Tea Over Rice on Criterion Blu-ray
Blu-ray Review: A Film Trilogy by Ingmar Bergman on the Criterion Collection
Blu-ray Review: Marco Bellocchio’s Fists in the Pocket on the Criterion Collection
Blu-ray Review: Douglas Sirk’s Magnificent Obsession on the Criterion Collection
Blu-ray Review: Spike Lee’s Do the Right Thing on the Criterion Collection
Review: American Moor Richly Illuminates the Experience of Acting While Black
Review: The Actors Are the Thing in Betrayal, the Stage-Craft Not So Much
Review: Hercules Wrestles More with Heroism Than with Female Liberation
Review: Moulin Rouge! Is a Great American Musical for the TikTok Generation
Interview: Kate Burton on Coriolanus in Central Park and Her Path to Success
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Debating at the End of History: Ben Lerner’s The Topeka School
Interview: Paul Tremblay on Growing Things and the Hope of Horror Fiction
The bonus features are lacking, but The Pacific looks and sounds as impressive as any Blu-ray you’re likely to see.
Enter to win Blu-rays of the live-action Aladdin, a 4K of the 1992 animated feature, and more
Our preview section is your best, most complete guide for all the films, big and small, coming your way soon
