Review: Sunless Shadows Is a Wrenching View of Patriarchal Power in Iran
Review: Song Without a Name Boldly Confronts a Legacy of Marginalization
Review: Beyoncé’s Black Is King Is a Visual Love Letter to the Black Diaspora
Review: Waiting for the Barbarians Loses Its Apocalyptic Power on Screen
Review: A Thousand Cuts Sounds the Alarm on Rodrigo Duterte’s Tyranny
Review: Glass Animals’s Dreamland Relies Too Heavily on the Mundanities of Reality
Review: Billie Eilish’s “My Future” Is an Unexpectedly Upbeat Tribute to Isolation
Review: With Folklore, Taylor Swift Mines Pathos from a Widening Worldview
Taylor Swift Drops Surprise Album Folklore and Self-Directed “Cardigan” Video
Review: Ellie Goulding’s Brightest Blue Trades the Garish for the Merely Palatable
Review: SWERY’s Deadly Premonition 2 Is a Janky, Navel-Gazing Exercise
Review: Ghost of Tsushima Lacks Ambition but Is Rife with Poetic Flourishes
Review: Paper Mario: The Origami King Is a Cut (and Fold) Above Other Comic RPGs
Review: Rock of Ages 3: Make & Break Is Irreverent Fun, Up to a Point
Review: Polygon Treehouse’s Röki Barely Stands Apart in a Crowded Field
Review: In My Skin Is a Bitingly Poignant, If Cluttered, Coming-of-Age Story
Review: Peacock’s The Capture Wears Its Topicality Impersonally on Its Sleeve
Review: The Optimism of Japan Sinks: 2020 Leads to a Curious Emotional Remove
Review: Little Voice Is a Twee, Navel-Gazing Depiction of Creative Struggle
Review: HBO’s Perry Mason Examines Power and Faith Amid a Fog of Decay
Interview: Dave Franco on The Rental, His Genre Influences, and Future Projects
Interview: Bill and Turner Ross on the Constructions of Bloody Nose, Empty Pockets
The Best Albums of 2020 (So Far)
The Best Games of 2020 (So Far)
Sheffield Doc/Fest 2020: Mon Amour, Film About a Father Who, & The Kiosk
Jonathan Glazer Debuts Strasbourg 1518, a Collaboration in Isolation
July 2020 Game Releases: Paper Mario: The Origami King, Ghost of Tsushima, & More
Review: Lady Gaga and Ariana Grande Drop “Rain on Me” Single and Video
Review: Lucky McKee’s The Woman on Arrow Video Blu-ray
Blu-ray Review: Tomu Uchida’s The Mad Fox Joins the Arrow Academy
Review: Barbra Streisand’s The Prince of Tides on Criterion Blu-ray
Blu-ray Review: Abbas Kiarostam’s Taste of Cherry on the Criterion Collection
Review: Zucker, Abrahams, and Zucker’s Airplane! on Paramount Blu-ray
In Ivo van Hove’s Hands, West Side Story’s Actors Are Mice in A Cinematic Maze
Review: Hamlet at St. Ann’s Warehouse Is a Triumph of Production Over Performance
Confessions of a Drag Legend: Charles Busch on The Confession of Lily Dare
Review: Timon of Athens Takes Arms Against the Ravages of Wealth
Under the Radar 2020: The Shadow Whose Prey the Hunter Becomes, Not I, & More
Review: For Stephen King and Readers, If It Bleeds Is a Coming Home
Love Is Political in Tomasz Jedrowski’s Debut Swimming in the Dark
Woody Allen’s Apropos of Nothing Is a Humble and Crabby Confessional
In Emily Gould’s Perfect Tunes, Music Isn’t a Recipe for Success
Innocence to Experience: Paul Lisicky’s Later: My Life at the Edge of the World
The bonus features are lacking, but The Pacific looks and sounds as impressive as any Blu-ray you’re likely to see.
Win Blu-rays of Shanghai Triad and Tom Clancy’s Jack Ryan: Season 2 and DVDs of Satan’s Slaves
Our Preview Section Is Your Most Complete Guide for All the Films Coming Your Way Soon
