While it’s nowhere close to brilliant, Happy Town’s unpredictability makes it watchable.
Ultimately, what a series like this aims to do is to pay homage to the Marines who sacrificed their lives.
Past Life’s plots peddle redemption with less subtlety than a typical episode of Touched by an Angel.
Temple Grandin stays true to its subject: observant, clear-eyed, and remarkable.
It takes some getting used to Romola Garai as Emma, especially in the early scenes.
Inbetweeners doesn’t rise above its sitcom superficiality, at least in its first two episodes.
Life Unexpected wants so badly to pull at the heartstrings while maintaining an illusion of grittiness.
On paper, Men of a Certain Age looks like a recipe for a navel-gazing disaster.
AMC’s remake of Patrick McGoohan’s 1967 television cult classic The Prisoner is a convoluted mess from start to finish.
The second season of Fringe has not, unfortunately, picked up where the first season left off.
The show combines some of the ironic stylings of Arrested Development with the sentimentalism of more traditional family sitcoms.