Review: Eye in the Sky

Director Gavin Hood treats the aesthetics of high-tech surveillance as the opaque membrane through which the prosecution of the War on Terror must pass.

Review: 45 Years

It’s the summative effect of the story’s modest exchanges that lends the film its profound sense of loss.

Review: Tom at the Farm

Its allegory for internalized homophobia, a gay man’s perilous attraction to straightness itself, seems in this case deeply persona.

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