Review: Room 237

It positions The Shining as standing in for cinema, for history, for obsession, for postmodern theory buckling under the film’s heft.

Review: Viola

Matías Piñeiro’s film isn’t so much deeply disrespecting notions of ownership, authorship, etc., as charitably redefining them.

Review: People’s Park

Aesthetically, People’s Park continuous long take presents a gentle comment on cinema’s relationship to a people’s history.

Review: Hors Satan

Wanting neither for rumination nor provocation, Hors Satan effectively splits the difference between Hadewijch and Bruno Dumont’s earlier films.