It shouldn’t come as a surprise that Will Ferrell’s insane performance almost saves the show.
Just as the show got better with every episode, so did the animation.
Go hungry for a few days and save enough money so you can buy the Looney Tunes Golden Collection over the Premiere Collection.
Despite the fact that one feature on this DVD actually has the nerve to threaten us with termination, this is a pretty un-dorky two-disc set.
Why save the world when Angelina Jolie can do it for you…and get laid at the same time?
The Human Stain should be a lesson to us all: It is possible to make a film creakier than Guess Who’s Coming To Dinner.
If the spirit world’s judgement is all eye-for-an-eye, it bears mentioning that there’s an underlying sexism to the film.
Michael Tollin’s bizarre Radio is a syrupy tale of uplift drenched in uneasy Southern comfort.
The Company is about the creative process, but it’s also about weathering it.
Make no mistake: Whale Rider is essentially The Karate Kid Down Under.
Whale Rider is essentially The Karate Kid Down Under. Looks good but smells cheesy.
In the end, the unexpressive Rodney Bingenheimer is nowhere near as interesting as his friends and neighbors.
Like its predecessor, The Barbarian Invasions plays out as a midlife version of American Pie.
Few documentaries get released on DVD, let alone receive a two-disc edition. This one deserves the red-carpet treatment.
Raja is a romantic tug of war that brings to mind both a Shakespearean comedy of errors and Bernardo Bertolucci’s undervalued Besieged.
José Padilha’s taut, elegantly structured Bus 174 is essentially a chronicle of a death foretold.
Tsai’s elegy to a now-departed Taipei theater is also a beautiful love poem to the movies.
There’s no humanity buried beneath the life-is-bleak passages of Barbara Albert’s film.
Ross McElwee’s documentary reminds us to cherish every mysterious moment in our lives.
Since Otar Left is meant to play out like a fable, but Julie Bertuccelli’s direction isn’t nimble enough to carry it off.