The sentiment of what Daniel Craig is saying is healthy and should become the norm for actor interviews.
It unfolds as a kind, politically soft offering of what lies beneath both Ousmane Sembène’s films and the man himself.
The conclusion suggests the film exists to affirm the preconceived desires and perceptions of its makers.
Jenni Olson’s poetic film essay is less a confession than an abdication of authorial responsibility.
It doesn’t trust the inherently complex material to speak for itself or care to consider its consequences beyond instances of manufactured, gut-wrenching immediacy.
Big World Pictures lays an egg with this DVD release, but at least one of the best debut features of the 1990s is back in print.
The data reveals that anticipation for the film is reaching something closer to outright hysteria.
Anderson discusses her interest in fear, why Amazon.com doesn’t really understand you, and how Heart of a Dog is definitely not just about her dog.
The film is a compelling addition to Sebastián Silva’s cinema of compassionate comeuppance.
Laurie Anderson’s documentary continues Michelangelo Antonioni’s pursuit of immediate futurity.
We spoke with Varda about her career-long dedication to hybridizing fiction and documentary and her recent seminars in Chicago.
Jump scares, sexy vampires, popular villains, and bloodshed, especially if related to a centuries-old text, are good for business.
Criterion’s 4K Blu-ray offers a beautiful transfer of Ettore Scola’s long unavailable gem.
The film lacks perspective beyond a rather limited preoccupation with the details of Hunter’s personal life.
Each slips in and out of a representation and interpretation of events. The question is: Which is which?
This robust Blu-ray presentation is likely to remain the most important home-video release of 2015.
Bad reviews will hurt Pan, but they won’t sink it; Warner Bros.’s uninspired $150 million investment and ho-hum marketing will.
With this immaculate Blu-ray transfer, you’re invited to indulge the film’s multitudinous pleasures without shame or judgment.
It’s vital about violence being bred from systemic blind spots, where small souls are tasked with the impossible.
Stephen Daldry, working from Richard Curtis’s exploitative script, opts for a full-on Slumdog Millionaire imitation.