If you require a prescription for sexploitation wackiness, you’ve come to the right place.
Samsara is another visually stunning, globe-trotting think piece from the director of Baraka.
Those hills may still have eyes, but only the hardiest fans should have their eyes on The Hills Have Eyes Part 2.
Less interested in the fluidic facts of getting fucked that dominate teen sex comedies, the film wants to examine varieties of discomfort.
Forgetting Chinatown will be exceedingly difficult with this stunning new Blu-ray release.
The film gets an unforgettable Blu-ray transfer, along with an armada of fascinating extras both old and new, from Criterion.
In honor of Wizards’s 35th anniversary, Fox wants to put a spell on you with this flawed but visually arresting Blu-ray transfer.
This low-key Brit-horror time capsule has been given a suitably retro transfer but little in the way of bonus features.
The film has been given an outstanding transfer, and supplied with a full arsenal of supplementary features.
Bang and whimper all rolled up into one, Melancholia gets a glorious Blu-ray transfer from Magnolia.
The significant boost to the film’s image and sound quality alone makes an upgrade to Criterion’s Blu-ray a must.
Griffith’s film is a formalist text and object lesson in mythmaking.
Martha Marcy May Marlene gets an excellent Blu-ray transfer, offset by an underwhelming smattering of extras.
Criterion presents this rediscovered Fassbinder mindbender in a luxe Blu-ray transfer.
Blu-ray Review: On the Bowery: The Films of Lionel Rogosin, Volume 1 on Milestone Video
The cultural and aesthetic importance of The Films of Lionel Rogosin can’t be overstated.
Stark and stripped-down, Skolomowski’s film is a fatalistic fable eschewing the political in favor of the existential.
Nichols’s haunting Take Shelter gets a fantastic Blu-ray transfer, rounded out with some satisfying special features.
Those with an eye for exploitation will want to take a closer look at the second Lethal Ladies Collection.
Ubaldo Terzani Horror Show is unapologetically aimed at fans of Italian horror and splatter.
Interest in the work of the legendary “pink” film director has been resuscitated since his most recent film.