After five long years, Rihanna has reunited with Calvin Harris on first single from the producer’s upcoming album.
“True Colors” is a departure for Kesha, but the lyrics’ rebellious, unapologetic spirit seem eerily prescient.
Lopez’s new single finds the former Fly Girl flipping gender roles on their head.
By the album’s midpoint, Malik’s playboy shtick starts to outstay its welcome.
Anit’s peculiar rollout continues with not one, but two music videos for the lead single “Work.”
The singer’s “Freak” video is a hazy, drug-dosed trip back to 1960s California.
After a string of underwhelming singles and several momentum-killing delays, Rihanna’s Anti, her first album in over three years, finally looks imminent.
Missy doesn’t miss a beat, spitting rhymes like it’s 2005.
The album is dominated by a mix of hip-hop-infused midtempo jams and equally misguided rock-tinged power ballads.
While the single doesn’t quite match that song’s taste-making reinvention, Janet and company get an extra E for effort.
The apparent moral of the story? We are all Madonna. So grab your grillz and start humping the nearest wall.
Next week, Mariah Carey will launch her Las Vegas residency at Caesars Palace.
Belting has never been Rihanna’s forte, and it’s as painful as it’s ever been here.
That Meghan Trainor’s debut is called Title is emblematic of the album’s religious devotion to formula.
Some songs deserve a second chance. And sometimes they get it.
Madonna is probably really pissed right now.
It has a better shot at reigniting Stefani’s solo career than its rather bland predecessor did.
The animated clip for Minaj’s lyric video immediately caused a firestorm of controversy.
The song is befitting an epic blockbuster franchise like The Hunger Games.
The video proudly boasts a plethora of hip-hop and goth clichés.