To anyone who has already formed a negative opinion of the Fiery Furnaces, the idea of listening to a double-disc live release from the band probably sounds insufferable. The Friedberger siblings have rightly earned a reputation as being oppressively pretentious, and denunciations of their proggish wankery, obscurantist lyrical cycles, and a certain album-length musical genealogy project are well circulated. What often gets forgotten is that even in its pursuit of increasingly far-out objectives, the band has handed down some of the most effective guitar-driven rock of the decade, and Remember is brimming with examples both of the Friedbergers’ remarkable vision as well as their tendency to overreach. Forty-five tunes are covered here, as Eleanor and Matthew lead an intrepid ensemble through a career-spanning blitz that left me alternately scratching my head, tapping my foot, biting my nails and consulting a historical atlas. The Fiery Furnaces, master reassemblers, leave much of their oeuvre unrecognizable: worthwhile transformations include “Chris Michaels,” here a thrashing punk opus recalling a combination of MC5 and Can and “Single Again,” a frenetic, noise-induced march. Cuts from the recent Bitter Tea and Widow City are subject to less stretching, but these are the ones that fit most easily into the band’s current organ-dominated configuration anyway. What continues to grate are the spoken-word exercises from Rehearsing My Choir, the confrontationally experimental album featuring Eleanor and Matthew’s grandmother. Even the Furnaces’s explosive live show is unable to take these monologues about mid-century Chicago beyond the realm of well-executed tedium. To be sure, Remember will not win the Fiery Furnaces very many new fans, but as it’s likely the closest thing to a greatest hits album the unconventional Friedbergers will ever produce, it goes a long way toward definitively documenting their trippy, ingenious maunderings.
Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more. Independently owned and operated publications like Slant have been hit hard in recent years, but we’re committed to keeping our content free and accessible—meaning no paywalls or fees.
If you like what we do, please consider subscribing to our Patreon or making a donation.