How do you distinguish a movie that’s one of the greatest of all time from one of your all-time favorites?
A Best Actress nomination for Mara doesn’t seem likely, either, even with the Golden Globe nod and handful of critics’ honors she’s got under her studded belt.
Film usually reveals itself to audiences with splices and scratches, while Eastwood has shown how DV printing and projection can look pristine.
Just as Fincher’s films process the world through computers, we process our world through computer screens too.
Even though the movies are alive and well, film itself is turning ghostly.
What is life but a string of silly exercises?
I’m not sure how Mulholland Drive would look to me now that this decade is ending.
It is only underneath, beneath the striking visual effects and Gumpian narrative, that Fincher himself is revealed.
Well, this week we address the letting go of Nathan Lee and some of our favorite—ok, the Zodiac one—articles he’s penned.
All anxiety is born in darkness. Fear is mystery’s child.