Keith Uhlich appears on Blog Talk Radio to discuss this year’s Oscar nominations.
From beginning to end, it’s jammed with scenes that exemplify everything people watch the show for.
The songs here are sure to fulfill their potential in a live show, but Hernando flattens too much of their reverb and distortion.
Friday Night Lights makes a notable return to form with an episode that sees a number of storylines converging as the writers’ plan for the rest of the season starts to come into focus.
Dmitriy Salita has the face of an angel and the hands of a devil.
Untraceable is like Firewall, except with more shower scenes that feature Diane Lane and no iPods being used to hack mainframes.
Rambo is America’s undying warrior spirit made flesh.
Cristian Mungiu is the future, if your eyes will but listen.
This awards season may be the year of knocked-up chicks and orange tic-tacs.
3Ality Digital Production chose the right band as its subject and put the right woman in charge of executing it.
Like tectonic plates, Radar Bros. move exceedingly slow but eventually build up something momentous.
Varda weaves together a film about the communal voice that forms among people.
The film isn’t the prototypical feminist classic chronicling a woman’s journey from submissiveness to assertiveness.
The film emerges as a harsh critique of free love, as well as an empathetic exploration of its allure.
It is in fact difficult to make a film whose basis is conceptual without the results coming off as simplistic or overly designed.
The two astonishing sequences that unshackle themselves from formula cast an unflattering light on the rest.
The Wire’s street characters were busy as ever this week.
Compared to a lot of fans and commentators, I think I’ve been pretty charitable toward the second season of the show, but charity has its limits.
What does Woody Allen believe in?
The film makes an impassioned, angry case against the practice of torture that has become commonplace in interrogations post-9/11.