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Tribeca Film Festival Review: The Family I Had

Katie Green and Carlye Rubin’s film documents the transferrable perversities inherent in familial life.

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Tribeca Film Festival Review: The Family I Had
Photo: Tribeca Film Festival

Charity Lee occupies the center of one of those true-crime stories that’s so operatically atrocious it’s impossible to comprehend. In 2007, Charity’s 13-year-old son, Paris, savagely murdered her four-year-old daughter and his half-sister, Ella, strangling and beating the girl, stabbing her 17 times with a kitchen knife. Katie Green and Carlye Rubin’s documentary The Family I Had opens with Charity’s recollection of hearing of Ella’s death, which is initially presented as a terrifyingly arbitrary incident. We hear the recording of Paris’s call to 911, in which he sounds remorseful and panicked, as if he’s snapped out of a slumber and is describing an act committed by another person.

Green and Rubin begin with this incident so that we can process the shock of it, before doubling back to events that preceded the murder. Things aren’t as arbitrary as they seem, of course, and a shadow of ambiguity is cast upon that 911 call. The filmmakers have been granted considerable access to Charity and Paris, who’s incarcerated in a variety of Texas prisons over the course of the film. Charity is a memorable and poignant camera subject: Broad-shouldered and heavily tatted, with close-cropped hair and intelligent and tired eyes, she looks every bit like the warrior and survivor that she is. She’s a woman who’s struggled with a bad parent, bad men, a drug addiction, and the death of a daughter at the hands of a prodigiously intelligent son who meets the textbook definition of a psychopath.

Charity’s descriptions of her own life profoundly avert nihilistic and religious platitudes, illustrating the knack that humans have for acclimating to the most unmooring of circumstances, evolving, by necessity of survival, to find such events nearly ordinary as life grinds on. At one point, Charity makes a despairing and macabre joke about Ella’s murder to her mother, Kyla, who’s part of an overlapping murder controversy of her own. But this humor is a testament of strength rather than callousness, as Charity is weathering something that would break many people; she’s an advocate of prison reform, as Paris’s interviews offer chilling evidence of how incarceration warps, exacerbates, and rewards the antisocial behavior of its captors.

The Family I Had isn’t slick: Revelations are sprung messily, almost randomly, as they often are in life. The film alternates intimate home-movie recordings, which show that Paris was a bomb waiting to detonate, with contemporary footage of Charity working with people affected by severe crimes, taking care of her new child, resonantly named Phoenix, and maintaining some semblance of a relationship with Paris, whom she resents and fears but has, remarkably, appeared to have forgiven. The Family I Had documents the transferrable perversities inherent in familial life, offering evidence to both sides of the debate of nature versus nurture, while exploring the awesome durability of love, which can become its own kind of prison.

The Tribeca Film Festival runs from April 19—30.

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Watch: The Long-Awaited Deadwood Movie Gets Teaser Trailer and Premiere Date

Welcome to fucking Deadwood!

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Deadwood
Photo: HBO

At long last, we’re finally going to see more of Deadwood. Very soon after the HBO series’s cancellation in 2006, creator David Milch announced that he agreed to produce a pair of two-hour films to tie up the loose ends left after the third season. It’s been a long road since, and after many false starts over the years, production on one standalone film started in fall 2018. And today we have a glorious teaser for the film, which releases on HBO on May 31. Below is the official description of the film:

The Deadwood film follows the indelible characters of the series, who are reunited after ten years to celebrate South Dakota’s statehood. Former rivalries are reignited, alliances are tested and old wounds are reopened, as all are left to navigate the inevitable changes that modernity and time have wrought.

And below is the teaser trailer:

https://www.youtube.com/watch?v=tAcftIUE6MQ

Deadwood: The Movie airs on HBO on May 31.

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Watch: Quentin Tarantino’s Once Upon a Time in Hollywood Gets Teaser Trailer

When it rains, it pours.

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Once Upon a Time in Hollywood
Photo: Columbia Pictures

When it rains, it pours. Four days after Quentin Tarantino once more laid into John Ford in a piece written for his Beverly Cinema website that saw the filmmaker referring to Ford’s She Wore a Yellow Ribbon as Tie a Yellow Ribbon, and two days after Columbia Pictures released poster art for QT’s ninth feature that wasn’t exactly of the highest order, the studio has released a teaser for Once Upon a Time in Hollywood. The film was announced early last year, with Tarantino describing it as “a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood.”

Set on the eve of the Manson family murders, Once Upon a Time in Hollywood tells the story of TV actor Rick Dalton (Leonardo DiCaprio) and his stunt double, Cliff Booth (Brad Pitt), as they try to get involved in the film industry. The film also stars Margot Robbie (as Sharon Tate), Al Pacino, the late Luke Perry, Damian Lewis, Dakota Fanning, Emile Hirsch, Timothy Olyphant, Kurt Russell, and Bruce Dern in a part originally intended for the late Burt Reynolds.

See the teaser below:

https://www.youtube.com/watch?v=Scf8nIJCvs4

Columbia Pictures will release Once Upon a Time in Hollywood on July 26.

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Watch the Stranger Things 3 Trailer, and to the Tune of Mötley Crüe and the Who

A wise woman once said that there’s no such thing as a coincidence.

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Stranger Things 3
Photo: Netflix

A wise woman once said that there’s no such thing as a coincidence. On Friday, Jeff Tremaine’s The Dirt, a biopic about Mötley Crüe’s rise to fame, drops on Netflix. Today, the streaming service has released the trailer for the third season of Stranger Things. The clip opens with the strains of Mötley Crüe’s “Home Sweet Home,” all the better to underline that the peace and quiet that returned to the fictional rural town of Hawkins, Indiana at the end of the show’s second season is just waiting to be upset again.

Little is known about the plot of the new season, and the trailer keeps things pretty vague, though the Duffer Brothers have suggested that the storyline will take place a year after the events of the last season—duh, we know when “Home Sweet Home” came out—and focus on the main characters’ puberty pangs. That said, according to Reddit sleuths who’ve obsessed over such details as the nuances of the new season’s poster art, it looks like Max and company are going to have to contend with demon rats no doubt released from the Upside Down.

See below for the new season’s trailer:

https://www.youtube.com/watch?v=YEG3bmU_WaI

Stranger Things 3 premieres globally on July 4.

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